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Revolver
Imported ed., Limited Edition
Enhanced, Remastered
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Return this item for free
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Listen Now with Amazon Music |
Revolver
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Price | New from | Used from |
MP3 Music, August 5, 1966
"Please retry" | $12.49 | — |
Vinyl, Original recording remastered, Original recording reissued, November 13, 2012
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| $26.97 | $18.98 |
Audio, Cassette, November 16, 1987
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From the brand
Track Listings
1 | Taxman |
2 | Eleanor Rigby |
3 | I'm Only Sleeping |
4 | Love You to |
5 | Here, There and Everywhere |
6 | Yellow Submarine |
7 | She Said She Said |
8 | Good Day Sunshine |
9 | And Your Bird Can Sing |
10 | For No One |
11 | Doctor Robert |
12 | I Want to Tell You |
13 | Got to Get You Into My Life |
14 | Tomorrow Never Knows |
Editorial Reviews
The classic original Beatles studio albums have been re-mastered by a dedicated team of engineers at Abbey Road Studios in London over a four year period utilizing state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. The result of this painstaking process is the highest fidelity The Beatles catalogue has seen since it's original release.
Product details
- Is Discontinued By Manufacturer : No
- Language : English
- Product Dimensions : 11.81 x 0.39 x 11.81 inches; 3 ounces
- Manufacturer : Capitol
- Item model number : 5317017
- Original Release Date : 2009
- SPARS Code : ADD
- Date First Available : April 8, 2009
- Label : Capitol
- ASIN : B0025KVLTC
- Country of Origin : USA
- Number of discs : 1
- Best Sellers Rank: #1,975 in CDs & Vinyl (See Top 100 in CDs & Vinyl)
- #15 in British Invasion Rock
- #930 in Rock (CDs & Vinyl)
- Customer Reviews:
Customer reviews
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Ringo's showcase, "Yellow Submarine", is experimental, loose and fun. The demented humor of John helps make this a prime kiddy anthem.
George gets an unprecedented three worthy songs on a Beatles album. His most brilliant moment is the opening cut, "Taxman", in which he takes a piss at English bureaucracy. Paul puts in his best guitar solo to date and his bass playing is at its most Motown-inspired.
Paul himself attains a songwriter's peak on this album. "Eleanor Rigby", the flip side of the "Yellow Submarine" single, brings harsh reality to loneliness. "Here, There and Everywhere" is so simple yet so deep. It stands as one of the sweetest lyrics of the human heart and those vocal harmonies give it a nice lilt. Paul's superb ode to marijuana, "Got to Get You Into My Life", gets complemented by its chipper Memphis Soul-like brass. It's climax is where he sings in ecstasy at its ending. He's divinely happy. At that song's emotional inverse comes to my ears, at least, the most powerful song McCartney ever wrote as a Beatle. With "For No One", Paul's heartbreak is caught. In this most tragic ballad, Paul paints a chilling portrait of a couple who are slated to part ways. His almost detached vocal and the mournful French-horn solo amplify inevitable loss.
It's John who changed the most at this time, by turning inward to explore his own universe. Sadness and madness permeate the great acid rock of "She Said She Said". The searing intensity of George's guitar and Ringo's groove speak for themselves. If there's any one song in the Beatles catalogue that proves how crucial George and Ringo were to the Beatles, "She Said She Said" might come out on top. But it's John's psychedelic quest closer, "Tomorrow Never Knows", whose ambition is jaw-dropping. It's the Beatles most futuristic recording of all. A one-chord wonder of various electronic noise swirling about backed by a hypnotic drum pattern. "Tomorrow Never Knows" is such a production touchstone for George Martin. When he took bits and pieces and made them into something grand, he must have realized that the something grand is the point, not the bits and pieces. The Fifth Beatle earns his title.
With "Revolver", only the Beatles could explore every musical and lyrical angle in a song and somehow deliver an album so focused. With my life experiences, I hear the music with the same level of excitement whose ambition and beauty still delight me.
*This 2009 Remaster crushes the 1987 one.
On Revolver, the greatest band of all time reaches its apex, which by default makes it the best album ever made. Though Sgt. Pepper gets all the press, it is its predecessor that features The Beatles crafting soaring pieces of pop music, the likes of which have never been matched.
By 1966, it was clear that the band had no real competition; any doubt in that notion was smashed with the release of Rubber Soul the previous year. As a result, the two greatest songwriters in rock history, Lennon and McCartney, can only continue to compete with each other. The result is an album so texturally refined, so brilliantly efficient, and so dazzlingly diverse that the sheer sight of the creepy album cover gives me chills.
From the man-or-machine countdown leading into "Taxman" to the spooky honky tonk piano ending "Tomorrow Never Knows", Revolver paints a sonic landscape unmatched in rock history. By now, The Beatles were experimenting with tape loops and sound effects at the same rate that they were experimenting with drugs. However, instead of overshadowing the brilliance of the songwriters' vision, they somehow make it more clear. From classical to heavy metal; from a children's songs to a song about the joys of lying in bed; from the most gorgeous love song to the most freaked-out acid song, Revolver has it. And it's all perfect.
Though adventurous, Revolver is a very accessible album, and accessibility has always been a gift for Paul McCartney. This album is a creative high for McCartney, the same high that Lennon achieved on Rubber Soul. After listening to Revolver, even the most die-hard "Lennon-is-better-than-Paul" people have to look over their shoulders. "Here There and Everywhere" is one of the most beautiful love songs ever written, and is listed as a favorite of both John and Paul's. Lyrically, McCartney is matching and even topping Lennon with two of his other masterpieces dealing with lonliness, "Eleanor Rigby" and "For No One". Add to that the Motown swagger of "Got to Get You Into My Life" and the happy-go-lucky "Good Day Sunshine", and you have a level of mastery that Paul has never been able to match. This is not, I believe, a discounting of McCartney's later, post-Beatle work, but rather a man who has written songs that cannot be topped, period. McCartney also contributed the best part of John's "Dr. Robert", with it's "Well, well, well you're feeling fine" climax. And of course, "Yellow Submarine" hums happily along.
Lennon, as usual, is a powerhouse who seems incapable of writing a bad song. Even his "piece of garbage" as he described "And Your Bird Can Sing" still soars. As a guitar player for the last 20 years, I still have trouble mastering the guitar lick for that song. "She Said She Said" is heavy metal that still manages to be graceful and superbly melodic. "I'm Only Sleeping" may be Lennon's best song on the album, and it's a masterpiece of melody weaved together with a lazy, easy beat and Lennon's laconic lyrical delivery. All these perfectly extol the simple joys of dozing. Though "Tomorrow Never Knows" probably won't be your favorite song if you're a Wings fan, it earns its praise for the relentless one-note charge that it mounts, as Paul and Ringo thump the bass and drums in syncronicity, Lennon reads his freak-out lyrics, and The Birds shriek you to your core. (Unfortunately, one of the best songs from the Revolver period, "Rain", was the Lennon B-side to Paul's "Paperback Writer". It's the better of the two songs, and is an overlooked Lennon classic.)
Though George Harrison's "I Want to Tell You" and "Love You To" are interesting tracks, they don't measure up to the Lennon/McCartney songs. "Taxman", on the other hand, points the path that George would take later on, crafting a song so assured (and angry) that it's clear he's been studying John and Paul's songwriting, and he proves he's a capable - if uneven - student.
By the end of Revolver, you feel exhausted. The album covers so much ground and covers it so brilliantly that it seems unlikely that another album can compete. Nearly every emotion has been shaken and stirred, and you need a drink. The album gets under your skin as no other does. Then, you listen to it again.
Top reviews from other countries
180 gram makes a difference.
Great!
Chegou em perfeito estado mas acredito que deveria ser mais reforçada o pacote pois é um material frágil. Como peguei em uma promoção valeu a pena comprar pela Amazon mas dependendo do preço compensa mais importar mesmo, em sites como imusic, discogs, etc.
Tocou do início ao fim sem problemas, um dos melhores albuns dos Beatles com certeza.
Reviewed in Brazil on October 7, 2023
Chegou em perfeito estado mas acredito que deveria ser mais reforçada o pacote pois é um material frágil. Como peguei em uma promoção valeu a pena comprar pela Amazon mas dependendo do preço compensa mais importar mesmo, em sites como imusic, discogs, etc.
Tocou do início ao fim sem problemas, um dos melhores albuns dos Beatles com certeza.